{"id":292,"date":"2015-04-22T01:53:37","date_gmt":"2015-04-22T01:53:37","guid":{"rendered":"https:\/\/robinhobart.com\/?page_id=292"},"modified":"2018-12-28T15:51:33","modified_gmt":"2018-12-28T15:51:33","slug":"feature-film-work-2","status":"publish","type":"page","link":"https:\/\/robinhobart.com\/?page_id=292","title":{"rendered":"FEATURE FILM WORK"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;283&#8243; onclick=&#8221;custom_link&#8221; css_animation=&#8221;appear&#8221; link=&#8221;https:\/\/robinhobart.com\/?page_id=395&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center;\">Graphics and Animation Supervisor for the Errol Morris film The Fog of War. Graphic Design. Title sequences and animation.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;284&#8243; css_animation=&#8221;appear&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\">Digital Artist for the Anne Fletcher film The Proposal. Set extensions and green screen compositing.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;285&#8243; css_animation=&#8221;appear&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\">Digital Artist for the Jonathan Mostow film Surrogates. 3D modeling and texturing.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;287&#8243; css_animation=&#8221;appear&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\">Visual Effects Artist\/Animator for the John Stimpson film The Legend of Lucy Keyes. Compositing and FX.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;286&#8243; css_animation=&#8221;appear&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\">Compositor\/ 3D artist for the Marcel Langenegger film Deception. Blood, smoke, fire and pyro FX.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;289&#8243; css_animation=&#8221;appear&#8221;][vc_column_text]Digital Artist for the Jonathan Dayton\/ Valerie Faris film Ruby Sparks. Beauty work and cleanup. Compositing.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;283&#8243; onclick=&#8221;custom_link&#8221; css_animation=&#8221;appear&#8221; link=&#8221;https:\/\/robinhobart.com\/?page_id=395&#8243;][vc_column_text] Graphics and Animation Supervisor for the Errol Morris film The Fog of War. Graphic Design. Title sequences and animation. [\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;284&#8243; css_animation=&#8221;appear&#8221;][vc_column_text] Digital Artist for the Anne Fletcher film The Proposal. Set extensions and green screen compositing. [\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;285&#8243; css_animation=&#8221;appear&#8221;][vc_column_text] Digital Artist for the Jonathan Mostow film Surrogates. 3D modeling and texturing. [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;287&#8243; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":38,"parent":623,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-292","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/robinhobart.com\/index.php?rest_route=\/wp\/v2\/pages\/292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/robinhobart.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/robinhobart.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/robinhobart.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/robinhobart.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=292"}],"version-history":[{"count":10,"href":"https:\/\/robinhobart.com\/index.php?rest_route=\/wp\/v2\/pages\/292\/revisions"}],"predecessor-version":[{"id":734,"href":"https:\/\/robinhobart.com\/index.php?rest_route=\/wp\/v2\/pages\/292\/revisions\/734"}],"up":[{"embeddable":true,"href":"https:\/\/robinhobart.com\/index.php?rest_route=\/wp\/v2\/pages\/623"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/robinhobart.com\/index.php?rest_route=\/wp\/v2\/media\/38"}],"wp:attachment":[{"href":"https:\/\/robinhobart.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}